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Ceramics Factory Opens At Tate Modern
28-09-2017
2017
NEWS
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captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. Bridgette Chan holds cast jug. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. Bridgette Chan holds cast jug. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. Bridgette Chan and Flor Mondschein with logs of clay. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. Bridgette Chan holds cast jug. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. Bridgette Chan and Flor Mondschein with logs of clay. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. Artist Clare Twomey. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. Flor Mondschein pours wet clay in the mould. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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creditDinendra Haria / i-Images
captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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creditDinendra Haria / i-Images
captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. Artist Clare Twomey pours wet clay in the mould. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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creditDinendra Haria / i-Images
captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. Artist Clare Twomey and Sarah Christie. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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creditDinendra Haria / i-Images
captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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file nameiimages_dh_ceramics_factory_26.jpg
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creditDinendra Haria / i-Images
captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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file nameiimages_dh_ceramics_factory_27.jpg
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creditDinendra Haria / i-Images
captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
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file nameiimages_dh_ceramics_factory_28.jpg
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captionImage ©Licensed to i-Images Picture Agency. 28/09/2017. London, United Kingdom. Bridgette Chan holds cast jug. A ceramics factory where the public can mould or cast jugs, teapots and flowers opens at Tate Modern today, 28 September 2017. Artist Clare Twomey’s installation, FACTORY: the seen and the unseen, launches the second year of Tate Exchange which, over 2017 and 2018, will focus on the theme of production. The installation occupies the whole of Tate Exchange in Freelands Foundation Studios at Tate Modern’s Blavatnik Building and comprises a 30-metre work space, eight tonnes of clay, a vast area of drying racks, and over 2,000 fired clay objects. Picture by Dinendra Haria / i-Images
